June 15, 2016

Nowhere Girl

Nowhere Girl


I hate myself the most at 3-AM. It is the closest intertwining time of the day for my nocturnal self and the real world. It's the time I am most aware of where I am, of where my demons are. It's the time the hand of the pessimist gently caresses my hair. The pain lingering far longer than daylight. And I succumb to it. Fighting it always seems impossible. So I give in, every time. And I start to wonder why I am the same anxious person I was yesterday.

I hate this part of me the most. Every day, I get worse. Like the walls get darker and harder to climb. I start to care less and less about the skyscrapers around, the world, and its human disease. I move on from people quicker than I finish a good book. They drain me. Sometimes, even suffocate. Like the atoms in my body are revolted by the the idea of being in their presence to only be a mundane. Indeed, it's a disgusting way to be. I do want someone to understand. But I don't possess the energy to make them do. It's a feeling of contradiction I myself refuse to admit I have. But I feel them, anyway.

I hate this feeling the most. I feel. But not the ones I want to feel. Stuck in a limbo of nothingness, I become more exhausted each day. Empty, but feeling. Not morose, but sad. Cynical, but hopeful. Stays, but lost. It's just a combination of emotions that you almost feel numb. Like staring in blank space. I know, it's confusing. I think about it a lot. I think too much about it more than my daily dosage of thinking. It hurts my head, sometimes. But I never seem to come up with a plan on how to fix it, still.

(illustration by polly nor)

June 9, 2016

In the World of Zootopia

In the World of Zootopia
Fine, I'm a realist, cynical even. But that does not mean I do not go marshmallow every once in a while. Because I do. And a movie like this helps.

Zootopia (2016)
A film by Byron Howard & Rich Moore

Full of energy and hope, first ever rabbit cop, Judy Hopps, moves into Zootopia—the mammal metropolis where all kinds of animals live and work—to become the newest recruit of the city's police force. Determined to prove herself to society, she eagerly takes on a mysterious case. With the help of the sly fox, Nick Wilde, the unlikely team pairs up to solve one of the city's hardest case to crack yet.



As always, Walt Disney's animated films never fail to deliver. At the end of their every movie, reminds me why I sometimes indulge myself with such entertainment. It makes me wonder though, how the people behind Disney Animation Studios ever go to sleep with all the creative juices that never seem to stop flowing in their veins. How do they ever just let go of their pens, and laptops, knowing they have so much stories to share?

Thus, it is no surprise that Zootopia has the typical plot and lovable characters that effortlessly win viewers' hearts. But, it is not afraid to go tough when the story demands. Not only does it have on point humor, it also shows wonderful cinematic views, and even references The Godfather. But most importantly, it's honest, and has guts to break the conventional.

Disney raises the bar for great animations every time they release a new film, with its center, good morals, always intact. Truly, Zootopia is a heartwarming food for the soul. Not only for the kids, but for adults [who know about the absurd, horrid world] as well. Judy Hopps (Ginnifer Goodwin) and Nick Wilde (Jason Bateman) are new modern heroes. I can see them turning into another classic idol like Joy (Inside Out), Nemo (Finding Nemo), Woody (Toy Story), and the like. They do not only remind us that it's okay to be different. They also teach us the good way to break stereotypes. Because we may not be able to stop society's prejudice, but we sure as hell can prove them wrong.